The guitar is my second instrument after the piano.
I studied under Gilles Rennes for a year in jazz harmonization and improvisation in Paris, and Pablo Trosman from Buenos Aires, who imparted his knowledge of Andean folklore to me and left me his repertoire and his place within Los Incas.
It’s perhaps the instrument I’ve played the most in concert with Los Incas, both as an accompaniment and in a duo with Jorge Milchberg on the charango.
Later, I developed my bouzouki technique, which is different yet complementary.
